Paraíso

About

Winner, 2017 CantoMundo Poetry Prize

Paraíso, the first book in the new CantoMundo Poetry Series, which celebrates the work of Latino/a poets writing in English, is a pilgrimage against sorrow. Erupting from a mother’s death, the poems follow the speaker as he tries to survive his grief. Catholicism, family, good rum . . . these help, but the real medicine happens when the speaker pushes into the cloud forest alone.

In a Costa Rica far away from touristy beaches, we encounter bus trips over the cold mountains of the dead, drug dealers with beautiful dogs, and witches with cell phones. Science fuses with religion, witchcraft is joined with technology, and eventually grief transforms into belief.

Throughout, Paraíso defies categorization, mixing its beautiful sonnets with playful games and magic cures for the reader. In the process, moments of pure life mingle with the aftermath of a death.

Author

Jacob Shores-Argüello is a Costa Rican American writer. He is the author of In the Absence of Clocks and is the recipient of a Fulbright Fellowship, the Dzanc Books ILP International Literature Award, the Fine Arts Work Center Fellowship, and the Amy Clampitt residency in Lenox, Massachusetts. His work has appeared in the New Yorker, Poetry, and Guernica.

Author website.

Reviews

Second Acts: A Second Look at Second Books of Poetry by Charles Simic and Jacob Shores-Argüello in the Los Angeles Review of Books

“Shores-Argüello (In the Absence of Clocks) returns to his mother’s Costa Rican hometown on the occasion of her death in his latest, winner of the inaugural CantoMundo Poetry Prize. The title also references the poet’s home—or one of them. In poems displaying consummate craft, Shores-Argüello continues his exploration of the “back and forth” of transnationalism, whereby people experience multiple ways of belonging to multiple locales simultaneously. That belonging is tinged with longing. Stepping from a bus into “the orchid heat,” Shores-Argüello asks, “How is it that I have come this far/ with nothing, that I am empty-/ handed in this country of blessings?” The book is equal parts elegy, travel journal, and compilation of recipes, rules, and prayers. Structurally, the open and varied forms of the first and last sections relieve the tension of the formally segregated sonnets of the second section and the couplets of the third. Shores-Argüello records encounters between strangers, loved ones, and new acquaintances, those “little connections” that help the poet both grasp and release “the shaggy wolf called grief.” And truths of the Costa Rican cloud forest gleam throughout: “We live in the permeable/ skin of an amphibian, all the world’s a frog.” Though the collection can sometimes feel too neatly organized, as a whole it works a magic of distraction, reparation, and healing.”
—Publisher’s Weekly, November 2017

“Through the scrim of the foreign and the known, Shores-Argüello explores the state in which we are simultaneously awake and dreaming, the grief-state in which we both misplace and find ourselves. Paraíso is a masterful reopening of that ancient mythos of paradise lost and regained, just in time for the 21st century.”
—Ruben Quesada, Oxford American, December 2017

Praise

“From the opening page of Jacob Shores-Argüello’s Paraíso, I noticed how honed and pared his work is. He is a craftsman. His poems are chiseled, sculptural even, and yet they seem to ring an ethereal ring, like glass under a finger. These are poems filled with the surprise and humility of traversing physical geographies (mountains and jungles) but also the geographies of grief, healing, and memory. I am deeply moved by their vulnerability and unending quest for closeness.”
—Aracelis Girmay, judge, 2017 CantoMundo Poetry Prize

“Paraíso is a box of spells and games and laments, and a journey between worlds—the US and Costa Rica; the living and the dead. It concerns itself with facts and narratives and reveals where the fabric of narrative is slashed open and the mystery shows through. Ripe with ‘stories that tour guides and witches tell,’ Jacob Shores-Argüello’s second book is immensely compelling and satisfying.”
—Beth Ann Fennelly, author of Unmentionables

“‘After my mother died, my words broke,’ writes Jacob Shores-Argüello in Paraíso, a poignant and beautifully crafted book. His words—clean and tremendous—rupture into grief that’s singular, communal. This grief isn’t rapturous; it’s a reckoning with the self, the familial, the ritualistic, and the ‘jungle’s green [which] is the wild mind / of God.’ Deeply moving and rich with indelible phrasing and imagery, Paraíso is a staggering testament to the bonds love and loss make visible.”
—Eduardo C. Corral, author of Slow Lightning

“I was hooked from the first moment of reading Paraíso, by the charm of its opening ‘Games.’ When it became clear what particular game Jacob Shores-Argüello was playing, and how it ‘played’ with the loss of his mother, I was left gasping for breath. And then—all through—what joy in language. In the play that connects all things to all things. In the dance and poetic invention and human love as we climb this extraordinary book from ‘low geometry’ toward ‘the top of our holy canopy.’”
—Alicia Ostriker, author of Waiting for the Light

Series

Every year the University of Arkansas Press together with CantoMundo accepts submissions for the CantoMundo Poetry Series and awards the $1,000 CantoMundo Poetry Prize to a book of poetry by a Latina/o writer. Since its founding in 2009, CantoMundo has cultivated and supported a community of Latina/o poets and the poetry they create, and the University of Arkansas Press has long been committed to publishing diverse kinds of poetry by a diversity of poets. The series editors are Deborah Paredez and Celeste Gúzman Mendoza, cofounders and codirectors of CantoMundo.

Adoption

Adopted at: University of Rochester
Course: ENGL 376-1 Seminar in Writing Poetry
Course Description: Poems, as William Carlos Williams once said, are machines made out of words, and in this advanced poetry workshop we will work on making the most gorgeous, gripping, and efficient machines possible. To that end, we will read both one another’s poems and poems by established authors, in either case paying attention to the ways in which the authors harness aspects of their medium, the English language: syntax, diction, rhythm.
Professor: Jennifer Grotz
Term: Spring 2021