Winner, 2019 Miller Williams Poetry Prize
“We are the happy riders on the stream of Padua’s consciousness . . . a smart, sympathetic mind at work.”
Drawing on the spirit of New York City in decades past, A Short History of Monsters presents the sins and obsessions of a poet nimble in beat and slam traditions. In his first full-length collection, Jose Padua wrestles with an American dream interrupted by failure, excess, and other nightmares. Often brash and unruly, these poems range from recollections of lost, drunken days to unadorned manifestations of hope. Throughout, the speaker redefines his relationship to pop culture, praising it, skewering it, and mourning it by turns.
The poems that make up A Short History of Monsters tend toward both dark humor and epiphany, diving deeply into their own despair and rising up again with existential absurdity. This is a poetry that gets down into the grit and grime of the real world, digging out a space to experience being alive as miraculous in and of itself.
Supported in part by the Arkansas Humanities Council, the National Endowment for the Humanities, and the Miller and Lucinda Williams Poetry Fund.
“Jose Padua’s poems sneak up on you, put a hood over your face, and drug you with their cool smooth voice. When you wake up, you’re dressed in rags, and your only defense is your sense of absurdity.”
—Michael Simms, Vox Populi
“The classicists insisted that to be great, a work of art had to do three things: it should instruct, amuse and move us. If we take one of Jose Padua’s signature poems, ‘Avenue Banana,’ we can see that it meets that criteria. It tells us what life was like on the Lower East Side of NYC in the 1990s. And it is shot through with humor. Here is a line from that poem: ‘I can lie back on my / mattress like a tiny buffalo / and wave my hands at the flies / in the air or on my knee.’ And it moves the reader with its ending, when he references Grace Kelly and Jimmy Stewart in Rear Window. Padua maintains this high level of art throughout this collection. I highly recommend this book.”
—Ron Kolm, author of A Change in the Weather
“When Jose Padua writes of ‘the beauty of the moment that comes alive without artifice,’ he could be describing these poems. They’re dispatches from a messy life, told with wry candor. His gift to us is a lesson in seeing through the little defeats we all suffer every day for a glimpse of transcendence. In the twenty-five years I’ve been reading him, I never once felt he was posturing or lying to me, which is high tribute for any writer.”
— John Strausbaugh, author of City of Sedition and Victory City
Every year, the University of Arkansas Press accepts submissions for the Miller Williams Poetry Series and from the books selected awards the $5,000 Miller Williams Poetry Prize in the following summer. For almost a quarter century the press has made this series the cornerstone of its work as a publisher of some of the country’s best new poetry. The series and prize are named for and operated to honor the cofounder and longtime director of the press, Miller Williams. The series is edited by Billy Collins.