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University of Arkansas Press Celebrates National Poetry Month
FAYETTEVILLE, Ark. – April is national poetry month,
and the University of Arkansas Press is celebrating, along
with poetry lovers nationwide, by including a poetry sale
on its Web site. Customers are invited to visit http://www.uapress.com
to take advantage of the offer.
The history of poetry at the press is an illustrious one,
said Tom Lavoie, marketing director for the press, who is
himself a reader and writer of poetry and a board member of
the local Ozark Poets and Writer’s Collective.
“As most people in Arkansas know, the press was co-founded
in 1980 by poet Miller Williams,” Lavoie said. “Williams’s
own poetry has won many awards, and he is probably best-known
for reading at Bill Clinton’s 1997 inauguration,”
Lavoie said. “He began the press with a strong focus
on poetry, and he discovered several poets who have gone on
to successful careers, including two-time United States poet
laureate Billy Collins, who published his first book with
Williams in 1988. That book, The
Apple That Astonished Paris, is still our best-selling
poetry title.”
The press publishes four poetry books a year through its Poetry
Series, edited by poet Enid Shomer. Recent poets in the
series include Elizabeth
Hadaway, winner of the Library of Virginia poetry prize;
Christopher Bursk,
winner of the Paterson Poetry Prize; and Patrick
Phillips, winner of the Kate Tufts Discovery Award, among
several other critically recognized contemporary poets.
In September 2007, the press held a benefit to initiate the
Miller Williams Poetry Prize. The benefit was held at the
Walton Arts Center and featured Grammy award-winner Lucinda
Williams, who is the daughter of Miller Williams. “This
prize is a major development for the press,” Lavoie
said. “It places us more solidly among nationally recognized
poetry prizes and will help us attract even more outstanding
manuscripts.”
The home page of the University of Arkansas Press Web site
will include a page of poetry titles available in a “two
for one” promotion through the month of April, along
with additional information about poetry in Arkansas. Visit
http://www.uapress.com to find out more.
Below is a poem from The Apple that Astonished Paris, by Billy
Collins, his first book, published in 1988 by the University
of Arkansas Press. “Introduction to Poetry” remains
the press’s most frequently reprinted and anthologized
poem. The poem is followed by a list of upcoming local events
during National Poetry Month.
Introduction
to Poetry
I ask them to take a poem
and hold it up to the light
like a color slide
or press an ear against its hive
I say drop a mouse into a poem
and watch him probe his way out,
or walk inside the poem’s room
and feel the walls for a light switch.
I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.
But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.
They begin by beating it with a hose
to find out what it really means.
Poetry Happenings in Northwest
Arkansas
The Ozark Poets and Writer’s Collective meets the last
Tuesday of every month at Nightbird Books for a featured guest
and open mic. Visit http://www.uark.edu/ua/mmasull/opwc/
for more information.
Nightbird Books is featuring Beth Ann Fennelly on April 11.
The store also hosts HOWL, a woman’s open mic that meets
every third Sunday at 6 p.m. Call (479) 443-2080 to find out
more.
The Fayetteville Public Library is hosting a poetry contest
and slam for students from 3rd to 12th grade at 6 p.m. April
17 at Arsaga’s Café in the library. Call (479)
571-2222 to find out more.
The University of Arkansas Master of Fine Arts program is
holding its annual Arkansas Festival of Writers April 9 and
10 on the University of Arkansas campus. The festival will
commemorate the 40th anniversary of the Creative Writing and
Translation Program and showcase a number alumni fromthe program,
including poet Leon
Stokesbury.
I
CONTACT:
Melissa King, assistant marketing manager
University Press
(479) 575-7715, mak001@uark.edu
Comments
from University of Arkansas Press Employees on Naitonal Poetry
Month
Brian
King, Editorial and Production
Ron Koertge is among Press’s poets whose works I have
liked and respected the most. He has published three books
of poetry with us: Geography
of the Forehead, Making
Love to Roget’s Wife, and Life on the Edge.
I’ve been told that Koertge’s use of humor has
caused him to be taken less seriously than he should be. But
humor, like irony, both compresses and illuminates meaning.
His poems are definitely not light verse—no purple cows
here (at least not that I remember). In “Truth
& Beauty” Koertge starts us down a path we’re
happy to follow—thumbing our noses at Keats the holy
Romantic poet. But in the second stanza, things start to get
complicated. Not only are Truth and Beauty splitting, but
they’ve walked to a seedy bus station to head their
separate ways. By the third, we’re into serious territory,
still funny, but serious. Maybe Keats neglected to emphasize
in his “Ode on a Grecian Urn” that there is an
elemental contradiction inherent in the two’s relationship.
I tend to side with Ron. If you really want to know about
truth and beauty, you should perhaps put the urn aside for
a minute and deal with the chill in the air and the fat guy
in the bus.
Carolyn Brt, Accounts Payable
Well, I believe we’ve been sitting on a gem for years.
It’s Anne
and Alpheus. It’s the most amazing little poetry
book. It’s 1800s life. A young married couple on the
plains. On each page Annie is talking about Alpheus, or he’s
talking about her, and in those interactions you see their
whole lives in technicolor! The writer, Joe Survant, is so
talented.
Kathy Willis, Customer Service
I’m fascinated with The
Apple that Astonished Paris (it sat on the shelf so long
and then took off and soared), and then to have met the author
and hear him read was awesome. It’d be great and we'd
appreciate poetry more if we could get that insight from the
authors. However, I do like My
Father Says Grace by Donald Platt. After seeing the advance
copy, and reading some of the poetry, I had to comment to
the author when he called me for more books. It’s clean,
refreshing, down to earth, and many people will enjoy it as
a look at life from a spiritual side.
Tom Lavoie, Marketing
It’s hard to pick just one of our authors, but I could
go with Christopher Bursk.
First Inhabitants
of Arcadia is witty, creative, surprising, filled with
emotion, and wears its learning lightly.
Melissa King, Marketing
I was looking over some work that had to do with permissions,
and I discovered the poem “Story
Hour,” from Sara Henderson Hay’s book with
the same name. Short, direct, and utterly unpretentious…
yet so smart, subversive and rich. How does a writer do that
with fairy tales? The book has a foreword by Miller Williams:
“These sonnets come across as so natural, so relaxed,
simply so very good that the poet seems almost to have thought
in the form.” High praise, I’d say!
Mike Bieker, Business Manger
As business manager, my favorite might be The
Apple that Astonished Paris, with 11,000 copies sold!
I very much like Here
and Hereafter, by Elton Glaser, with its poems about changing
seasons as we bust into spring. I really like “Twenty
First of June.”
Sam Ridge, Inventory Manager
These are folk songs and folklore rather than poetry exactly,
but Roll
Me in Your Arms and Blow
The Candle Out are my favorites. I constantly catch myself
laughing out loud at almost every turn of the page.
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